Sunday, 11 July 2021

[Film] Tiong Bahru Social Club

 23 January 2021

“Tiong Bahru Social Club”

---A shop assistant: “Do you have a “Passion” card?”

   A Bee: “No, (I don’t have) passion.”

Release Year: 2020

Country: Singapore

Director: Bee Thiam Tan

Cast: Thomas Pang, Guat Kian Goh, Jalyn Han

Location I watched: The Projector


 

Ah Bee, a 30 year-old Singaporean man is living with his mother at Pearl Bank, an old apartment that is about to be demolished. He is quiet and mild. Even when faced with a pile of claim forms at work, he accepts all claims with a smile. Now Ah Bee gets a new job as a Happiness Agent at Tiong Bahru Social Club. The Club is like a kind of community centre, but it is a pilot project by (I assume) the government aiming for a happy local community. Ah Bee says good-bye to his beloved mother (by the way, the distance between Tiong Bahru and Outram Park where Pearl Bank is located is just one stop away by train) and he starts living in a room provided by the Club. The room is controlled by an AI which is always checking his “happiness level” using an algorithm. Making the residents (especially the elderlies) happy is the Happiness Agents’ job. The Agents themselves must be happy. Calm and obedient Ah Bee gets used to this happy smiling world and becomes the top agent. He also gets a girlfriend who is one of his colleagues under the Club’s control. Everything looks good. However, is it right?


 

Generally, it is said that Singapore is a rich country looking at GDP per capita, but Singaporeans feel less happy. Or Singaporeans like complaining. Or the Singapore Government is good at management. “Tiong Bahru Social Club” took such Singapore’s “features” and turned it into a funny comedy with satire.

 

The Tiong Bahru Social Club itself looks like a parody of a cult community. It is suspicious, and at the same time, funny. The activities organized by the Happiness Agents are also sometimes quite hilarious.

 

The Club’s neighbourhood is shot with a soft colour tone and it looks retro and cozy. The design of the Club’s main building is based on pastel pink. It also looks cozy and cheerful. On the other hand, the control room and Ah Bee’s room is combined pink and blue. So the impression is slightly psychedelic and it can be called “future retro”. This “future retro” club and old Singapore neighbourhood are matching and they successfully create a cozy and weird atmosphere.


 

Tiong Bahru Social Club” is an interesting film. However, after I finished watching, something uncomfortable was left in my mind. Although it is unclear and difficult to explain, there is a feeling that something important is not enough in this film.

 

In the Tiong Bahru Social Club, the management is always monitoring the “happiness level’ of their Happiness Agents. The “happiness level” is decided by an algorithm based on the data of their expressions, physical condition or situation and so on. There is no privacy for the Happiness Agents. Before joining the Club, they have to sign an agreement to give up their privacy. It is quite creepy.  Especially since the Club seems to be the government’s pilot project, it is creepier. Even though the management team is not ill-intentioned. In the film, the Club itself is not criticized hard, but it is understandable because the film is a light satirical comedy and the protagonist, Ah Bee, is a very passive man. Even if Ah Bee has doubts about the Club policy, he will keep his silence and not make any trouble.

 

However, Ah Bee actually feels that something is wrong. He does not feel happy very much in the Club. So to trick the monitoring AI, he exercises in the dead spots in his room, hiding away from the AI cameras. His quick heartbeat is misunderstood by the AI as his “happy” condition (his excitement for a happy feeling). In the meantime, after taking care of an elderly resident, Ms. Wee, he is assigned to be in charge of listening to the residents’ complaints. This job is just to listen to the residents’ complaints, and he does not solve any problems. It is said that Singaporeans like complaining. This job is a kind of satire. Anyway, with this job, Ah Bee becomes the top Agent.

 

Ah Bee can accept anybody’s complaints or wishes because he does not have anything in his mind. He does not have any egoistic desire, but at the same time, does not have any passion. He is empty. Just accepting does not make others and himself really happy. Ah Bee eventually realizes that and he leaves the Club. He goes back to his mother who makes him happy and whom he wants to make happy. ------It was actually difficult to understand Ah Bee’s inner journey, so this part is all my interpretation.


 

Ah Bee hardly speaks in the film, but Thomas Pang acted Ah Bee quite well. For that, we can understand his feelings in each scene. Nevertheless, his adventure (“odyssey” in the cinema’s introduction) was somehow unsatisfying to me.

 

I think one of the reasons is because the Tiong Bahru Social Club working system is unclear. My understanding is that each Happiness Agent takes care of a partner elderly and they are also in charge of some public activity like a swimming class. The management evaluates the Agents’ work by always checking the residents’ “happiness level”. They rank the Happiness Agents and regularly fire the Agent at the bottom of the rank. The scene where they fire an Agent is quite funny. He was fired because his “Tour with a Cat in the Neighbourhood” was unpopular.

 

Ah Bee is also assigned a partner elderly, Ms. Wee, who is living alone with a cat, but he is not in charge of any activities. He is a new hire and does not get used to his job, so this situation is understandable. Then, however, after she passed away, Ah Bee is assigned to be in charge of a special room where the residents can complain of anything to him. Although the other Happiness Agents seem to have their activities as their own projects (that is why the “Tour with a Cat” Agent was fired due to his activity), for some reason, Ah Bee was not required to come up with his own activity. Besides he was not assigned any other elderlies to take care of anymore. The management seems to give only him a special job. Since Tiong Bahru Social Club is a pilot project, there may not be fixed rules to manage the Happiness Agents. However, I cannot understand why the management’s expectation of Ah Bee is so high and they give better consideration to his task.

 

Anyway, Ah Bee’s “listening to complaint” room becomes extremely popular. This is the victory of the management’ idea and assignment. Of course, Ah Bee is working hard, I guess. But the scenes in his “listening to complaint” room do not focus on his “super power” --- how much he is patient and obedient (just continue listening) or how much he does not do anything at all (again, just continue listening). The long long queue to the room alone was not enough for me to be convinced that Ah Bee was great as a Happiness Agent.

 

Besides, the attitude of the Club’s management does not make sense. About the death of Ms. Wee, it is very vague whether she died in an accident or killed herself. In any case, Ah Bee feels very sad and sorry. The Club’s manager comforts him and says that this is not Ah Bee’s fault and that she died happily. It is very nice to hear, but somehow it does not seem to make sense because the manager’s words are too ordinary. The Tiong Bahru Social Club is not normal, obviously. The management is always observing the Agents. When Ah Bee was matchmade and started living together with his girlfriend, they were in his bedroom to check whether he succeeded in making love or not. The management is abnormal like that, but the words to comfort him are too normal. If they rely on the algorithm for happiness, they should say that she died happily according to the algorithm or show the data to cheer him up. The manager in that scene is rather rational. Ironically, it seems to be irrational to me.

 

After all, how bizarre the Club is and how remarkable the existence of passive Ah Bee is - both are not enough to be expressed in the film. For that, his adventure in the Club is unsatisfying and his inner journey is difficult to understand. That is probably why I felt something that is uncomfortable. Although the film has the title of “Tiong Bahru Social Club”, its “Club level” is not enough for me.

 

Lastly, one of the main locations in “Tiong Bahru Social Club” is the Pearl Bank Apartments before the building was demolished. Generally, the design of recent condominium buildings is not so interesting for me. But the Pearl Bank Apartments, built in 1976, is unique and formidable. In the film, we can enjoy the overwhelming appearance. One of my former colleagues used to rent a room in Pearl Bank. It was in about 2006. She called Pearl Bank a “haunted house”. When her tenancy agreement finished, she started looking for a new room. The room she found is again in Pearl Bank. Maybe she actually liked that old building. Such memories came back to me with this film. (20 May 2021)


Sunday, 20 June 2021

『演劇』The Amazing Celestial Race(天界のアメージング・レース)--- Wild Rice(ワイルド・ライス)公演

 2021年3月13日

「The Amazing Celestial Race(天界のアメージング・レース)」--- 皆大好き招き猫

製作国: Singapore

カンパニー: Wild Rice(ワイルド・ライス)

演出: Glen Goei(グレン・ゴエイ)

台本: Dwayne Lau

作曲: Julian Wong

出演: Victoria Chen, Tia Andrea Guttensohn, Dwayne Lau, Andrew Lua, Audrey Luo

見た場所: The Ngee Ann Kongsi Theatre (Wild Rice @ Funan)

 

 COVID-19のパンデミック以降、初めて劇場に行った。Wild Rice(ワイルド・ライス)による、彼らの劇場での公演である。2021年3月時点で市中感染をほぼ押さえ込んでいた(今は違う)シンガポールだが、エンターテインメント公演に対しては緩和されたとはいえ(今は違う)まだ厳しい。観客数も舞台に上がれる人数も限られている。政府の提示する様々な要件をクリアしての公演になるわけだが、そうして公演にこぎつけた作品が、この「The Amazing Celestial Race(天界のアメージング・レース)」である。十二支があの十二の動物になった昔話、神様がどの動物が一番早く自分のもとに辿り着くかを競わせた、というお話をファミリー向けミュージカルにしたもの。神様主催で動物達が競争をするというのは、日本に限らず広く親しまれているお話らしい。シンガポールでは、中華系の人々によって春節がチャイニーズ・ニューイヤーとして祝われ、この春節が干支の変わり目ともなっている。ちなみに2021年のチャイニーズ・ニューイヤーは2月12日であった。

 


 前述したように、公演ができるようになったとは言っても、条件は厳しい。普通なら一人芝居か二人芝居の会話劇を上演しそうなところを、ミュージカル上演を行おうというその心意気に感心する。カンパニーの財政的にそれが可能だったという面もあろうが、それにしても358席のうち半分以下の観客しか入れられないため、約90分間の公演を、平日は夜に2回、週末は一日3回行うという、これまでシンガポールで見たことないような公演形態だった(公演期間は一ヶ月。ちなみに月曜はお休みだったと思う)。一度に大人数を入れられない。でもチケット代をむやみ上げたくはない。となったら、少しでも利益を出すためには回数を増やすしかないのだ。

 

 2019年にワイルド・ライスの本拠地となったこのThe Ngee Ann Kongsi Theatreに行ったのは、今回が初めてだった。IT関連のお店が集まるショッピングモールとして親しまれていたFunan Mallが、再開発後にヤングアダルト向けのレジャー設備を備えたおしゃれモールに生まれ変わったのだが、ワイルド・ライスの劇場はその4階に入っている。大きくはないが、中央の舞台を客席が取り囲む形の劇場で、ロンドンのシェイクスピアズ・グローブ風の立派な円形劇場である。と思ったら、ストラトフォード=アポン=エイヴォンにあるロイヤル・シェイクスピア・カンパニーのスワン・シアターにインスパイアされたデザインらしい。いい感じの劇場で、久しぶりに劇場を訪れたこともあって、わくわく感が増した。


劇場の入口
 

 出演俳優は5名のみ。十二支の競争のお話なのだが、一度に舞台に立てるパフォーマーは5人までなので、5人でやりくりする選択肢を取ったのだろう。実際のところ、十二支だけではなく、猫、天界の玉皇大帝やそのお付きの者達、レースを実況中継する鳥達、村人と、登場人物は結構いる。その全てを、5人の俳優達が早変わりで次々と舞台に登場し、それぞれのキャラクターを演じ分けることでこなしていくのだ。ミュージカルなので、5名で編成されたバンドと2名のコーラスの名前がプログラムには載っているが、客席から彼らの姿を見ることはできなかった。しかし、(定かではないが)生演奏であるように思われた。

 

開演前の舞台

 動物達が全員揃っているべきレースのスタート場面やコース途中の村での火事(があるのだ)の場面は、背後のスクリーンに投影される影絵芝居で表現される。そうかと言って、スペクタクルなシーンを全て影絵で凌ぐわけではなく、川の波頭が舞台床からせり出して動き、龍が舞台を巡って(実際に天井から)雨が降る。龍が舞台に登場するというのは、龍役の俳優とは別に、大きな龍の模型を何人かが下から棒で支えて操るという、春節のお祝いにあるような出し物が一度出て来るのだ。例年、シンガポールの職場でもショッピングモールでもどこでも、ライオンダンス(獅子舞)が見られるものだが、もちろん今年はそういうイベントが控えられていたので、なんかいいものを見た気がした。また、蛇や鳥などはパペットが使われているのだが、そうした小道具のデザインも美しい。大がかりな舞台装置はなかったが、贅沢な舞台だったと思う。

 

 十二支と猫は、5人の俳優達によって個性豊かに演じ分けられている。例えばTikTokガール(TikTokガールというのは私が勝手に言っているだけ。本来はTikTokerと言うべきなのだろう。)の兎は随所で明るく「Challenge!」と叫び、馬は女(馬だから牝と言うべきか...)でもレースに勝つことができることを証明するのだと張り切る。このように現代的な味付けがされているキャラクターもいるのだが、私が好きだったのは牛。チャイニーズ・シンガポーリアンの訛りの英語を話し、時々中国語で何かぼやくが、何を言っているのかわからない(しかし、あえて説明も字幕もない)。可笑しかった。私の記憶にある十二支の昔話どおり、やはり鼠は狡賢く(賢いとも言うか...)、そしておっとりした猫は鼠に騙されたわけではないのだが、もちろん十二支から漏れてしまうのだった。しかし、この作品は楽しいファミリー・ミュージカルである。このまま猫だけ仲間はずれになったりはしない。というわけで、紆余曲折あって、火事にあった村の宝物を結果的に守った猫は、玉皇大帝に褒められて、特別の栄誉を授けられる。玉皇大帝いわく

 「今後、幸運と富を祈ってお前の姿があらゆる商店や家々に飾られるであろう。」

 ———「Lucky Fortune Cat」!、招き猫の誕生!招き猫の由来を勝手に創作した!このオチがまた可笑しかった。

 

 たまたま大変良い席で見たが、出演者全員、はりきって歌い、きびきびと踊り、熱演であった。こちらも同じようなことを思っているせいでもあろうが、舞台ができることの喜びが前面に溢れていると、感じさせるような公演だった。久しぶりに劇場の椅子に座り込んで、楽しかった。シンガポールでは2021年5月になって、これまで緩和されてきた規制がまた強化し直されている。劇場が完全に開く時が、早く来てほしいものである。

 

 ちなみに、中華系の文化では十二支のいのししは豚である。なので今回のミュージカルでも、登場するのは太った豚だった。さらに、羊も山羊であることが多い。日本ではひつじ年に山羊の絵柄が描かれることはないだろうが、シンガポールでは山羊の絵柄もよく見る(そもそも羊と山羊をあまり明確に区別していないようにも思える)。しかし、羊=山羊のことはすっかり忘れてしまっていたので、この公演の間中、登場人物の中に山羊がいるのをずっと不思議に思っていた......。(2021年6月4日)


真ん中右端の羊年の絵柄は山羊